DLKC Residency


Researches focused on the synchronized use of light and sound, materialized through three distinct productions. These setups incorporate the colors red, green, blue, and white, emblematic of pixels on a screen, although no screen monitor is present in the installation. The entire system is programmed to respond to a stereo digital sound poem produced exclusively from my voice through an effects processor.

This sometimes non-obvious concordance was exploited to play with the unpredictability of the relationship between the two elements, thus highlighting the installation devices both separately and confusedly, providing an immersive experience.

Footage of the installation work.
(2023)